franknot

Bless You Sister Matria & Sister Dalisay, Can you reveal the source of God's new almighty power?.. and how many 'seconds' of penance was given? * (If it's what I think it is .. OMG !!).

.. You might want to check these out if you haven't already. * Discovering Kinbaku, Zetsu Nawa: What my Adventures in Japan Taught Me About the Art of Erotic Rope Bondage https://a.co/d/09wqkLSn * The Beauty of Kinbaku: (Or everything you ever wanted to know about Japanese erotic bondage when you suddenly realized you didn't speak Japanese.) Second Edition - Completely Revised and Updated https://a.co/d/0enAPu5z

I started with.. "The History & Arts of the Dominatrix" by Anne O Nomis (Author) Just $3 on kindle .. It's very well researched and is difficult to put down... here are some blurbs from the first two chapters. Chapter I- deals with the ancient roots of the Dominatrix from Mesopotamia to ancient Greece. The author describes sacred rituals of gender transformation, punishment, pain and ecstasy for the all powerful 'Goddess Inanna' ..also known as Ishtar.. the goddess of love, fertility, and war. She was worshipped in Sumer (modern Iraq) as early as (c. 4000–3100 BCE). For thousands of years various Goddesses held power over sexuality, fertility and allure, which was celebrated in the ancient world, but these Goddesses were to be killed off by the influence of the patriarchal religions of Christianity and Islam, in which female sexuality was made passive. Chapter II- Is a fascinating look at where FemDom began in the "modern era". *(from the opening paragraph) ..."The earliest documentation of the Dominatrix profession is found within rare books of the seventeenth to nineteenth centuries, which reveal the identities and set-up of the women who ran flagellation establishments within England. From early flagellation brothel ‘Whipstresses’ to famous courtesan ‘Birch Disciplinarians’ and the ‘Governesses’ of the golden age, the occupational craft developed with elaborate tools and equipment, and was paired with refined skills and knowledge. Their profession was set up to cater to the fantasy desire of erotic domination by a powerful sexual woman, who was trained to be a strong disciplinarian figure. These female flagellants were savvy erotic entrepreneurs of their era whose clientele included the elite of the British aristocracy, politicians, and yes – even royalty. It was to ‘Her’ that men reported, to worship and be disciplined by a superior woman, to be bound and punished, and put to pain and release; it was with ‘Her’ that they could share their non-normative longings and desires – in the company of someone with an open mind. This chapter examines the male desire that informed the craft, the development of the niche occupation, and complex set-up and skills"... * * * This period had its very own clever and innovative "Mistress Jessy" .. She was Theresa Berkley who died in 1836 was one of the most famous English Dominatrix Governesses. She had her discipline establishment at Charlotte Street (now Hallam Street), off Portland Place in Marylebone, and seemingly took the profession of domination to a whole new level in England. She designed a specialist flagellation frame with bondage fixing points in 1828, which was known as ‘The Berkley Horse’ .. Does this original version look a bit familiar? She also had a suspension system – a hook and pulley on her second floor, to ‘draw a man up by her hands’, as part of her highly specialised equipment. Theresa Berkley was predominantly a dominant (i.e. Dominatrix) Governess who also had a system of apprenticeship at her establishment so that women could work for her while learning the craft. They would gain knowledge of the psychology, role-play scenarios, equipment and techniques, before going on to become a Governess themselves.

Ahh, Mistress.. thank you for this !! I choose to take you at your word, even if spoken playfully.. And in doing so my skin magically becomes a colorful statement of your affection.. You have written a "sonnet" in shades of purple on the fleshy pages of my thighs.. one that will continue to speak to me for weeks.. I remember counting the marks: 101 syllables ..(for luck)..on the back pages and 39 on the front. As I was leaving after last week's session, I smiled at the hazy thought of how those two hours might be just a fleeting blip for you, while I would hold onto them for much longer. But now, you've planted the delicious idea that the bruises you gifted me are a 'special language' all their own.. and given with intent. Whether I catch a glimpse of them in the mirror or feel their sting when I sit, I now hear your voice .."hello, I'm here.. do you remember how much I cared for you?".. * Perhaps "Bruised" could inspire your thoughts and be the title for "I Write Poems Here" - #11.

My personal favorite.. ..'can't teach an old dog new tricks'.

A 2000 year Journey from Queen Himiko - Queen Ito When next you kneel at the feet of Mistress Ito be aware of Her "Origin" and the birth of FemDom.

Mistress.. I hadn't realized I was doing that. And, yes I'm obviously 'reaching' for something.. but just not sure how to ask properly... Could it be some kind of unconscious avoidance.. or deflection?.. You must know how intimidating you can be.. At times 'frightening' ! Everything you share, regardless of the content, is a puzzle waiting to be decoded.. or perhaps a clever trap ?!? .. If you were to mention a 'tree' I would see a wilderness to get lost in.. Your thoughts are a hurricane .. my mind a candle. * * * You mention 'Your work' ..but that's an enigma to me since I am the puppet on your finger. Then it gets a bit spooky when this morning the Universe sends me what might be your answer.. disguised as a substack from a Domme who writes a daily advice post.. Here is a quote ** ** "What I am doing is not a project. It isn’t something temporary or something I picked up to pass the time. It isn’t something I intend to put down once I’ve reached a certain point. "It isn’t a scrapbooking project." "This is sustained work. It is daily writing, research, reflection, and the ongoing development of ideas over time, built with intention and consistency."

Mistress .. Journals are a type of tool old people use to recall all the stuff they are destined to forget.. similar to using a stick to get tasty ants out of an old log. Please forgive me for ageing you.. but in Boomer-ese "Z" is a general term for all young people and "curiosity" reflects the unexplained ancient sense of bewilderment towards what those young people might be thinking.. especially about "us" Also,.. I would never utter the words "you should" when addressing You.. I would ask permission to possibly, maybe,wonder if you "would perhaps ponder" something. * as for the 'tie-in' .. my head hurts. * gotta go.. time for my nap.

Approaching sensory experience as mere data makes any human involved interchangeable. It removes the person from personal connection. Is the desired result of a painting to mimic a photograph? There’s multiple right answers, but all reveal something more. Mistress.. (just recieved the finger puppets but this was ready to go.. so i'm hitting submit) My curiosity was inspired by those two posts and your "Thwip" photo.. All focused on the mindset of the "Pain Giver" versus the "Pain Receiver"—a masochist seeking to better understand the sadist. But by overlooking my first two questions, the context of my thoughts is altered. I had asked if you are keeping "a journal" of your findings and if you are able to collate specific sounds and intensities "with your unique color spectrum and emotional sensations". Therein lies the difference between 'Z' and 'Boomer' For me, a journal ..(diary?).. is a dated, private record of feelings and impressions for personal reference/remembrance. For you, it seems to be viewed as a spreadsheet, "mere data" to be exhibited.. For whatever reason, you made the decision to "remove the person from personal connection" .. and become a language for the masses. What I had hoped to discuss was if it could somehow become an internal "Lovely Speak" code to describe and reference your own sensations and emotions? e.g. ..Is your "Level 6" strike a mere firecracker or a full fireworks display?.. Is your intention to deliver a fuzzy yellow #6 or a bright orange #8, ..and can you consistently deliver that specific color and intensity to establish a chosen level of discipline/dominance? .. And a simple "NO" is perfectly acceptable.

It must have been this one... "The Mummy! A Tale of the Twenty-Second Century".. an 1827 three-volume novel written by Jane Webb (later Jane C. Loudon). It’s about the Egyptian mummy of Cheops, who is brought back to life when a beautiful Queen sits on his face.

Did you see The Bluff .. Seems to have a lot in common with Mistress Matria's beginnings.

I have no 'angle'.. sorry to have wandered off the reservation

Sounds like a 'no'

Synesthesia By Mistress Lovely Sunday at 02:12 PM in Fortress Guest Forum A huge part of my fascination with impact play is that I experience textures and colors associated with sounds. I also ‘have’ emotions through haptics and proprioception. This means that very subtle acts of dominance can be a sadistic feast. * * * Mistress.. Are you keeping a journal of your findings? Might you be able to collate certain specific sounds and their intensity/decibel level with your unique personal color spectrum and emotional sensations? Perhaps you might then create a language or code that describes how the various combinations of those 3 components can be expressed or transmitted.. and assign a number (Level 6) that would predict/indicate the desired result/effect. I suppose the sounds would also have to be classified by origin such as Human v Inanimate .. The Voice v The Cane The human ones might be called 'body' language .. the inanimate ones 'inspirational' language.